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Rick Steves' Europe

Hunger and Hope: Lessons from Ethiopia and Guatemala

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Art Bites 159: The Renaissance Defined

Art Bites 159: The Renaissance Defined

The Renaissance, a reawakening to the enlightened ways of ancient Greece and Rome, was, for two centuries, an explosion of secular learning, art, and culture. Artists, inspired by the ancients, celebrated a new confidence or humanism.

Art Bites 158: Hieronymus Bosch and "The Garden of Earthly Delights"

Art Bites 158: Hieronymus Bosch and "The Garden of Earthly Delights"

Bosch’s three-paneled masterpiece takes you on a wild ride from a tranquil Garden of Eden creation scene to a hedonistic central panel to a nightmarish Hell where those earthly delights are swapped for an eternity of appropriate punishments.

Art Bites 157: Van der Weyden

Art Bites 157: Van der Weyden

Northern artists gave the traditional medieval altarpiece a new level of sophistication. Van der Weyden’s exquisitely detailed Last Judgment is filled with symbolism, while others brought Heaven home to the 1400s here-and-now world of Bruges.

Art Bites 150: Michelangelo

Art Bites 150: Michelangelo

Michelangelo, another multi-talented “Renaissance man” was a world-class sculptor, painter, and architect. He sculpted “David” and the “Pietà,” painted the Sistine Chapel ceiling, and designed St. Peter’s Basilica. I rest my case.

Art Bites 149: Raphael

Art Bites 149: Raphael

Raphael combined the grace of Leonardo, the power of Michelangelo, and the humanist spirit of the age. The master of High Renaissance painting, his sweet Madonnas set a new standard and his “School of Athens” brought pre-Christian thinking into the Vatican.

Art Bites 148: Building a Gothic Cathedral Out of 13 Tourists

Art Bites 148: Building a Gothic Cathedral Out of 13 Tourists

Gothic churches were taller and brighter than the earlier Romanesque. They had a skeleton of support — columns, buttresses, and pointed arches — as can be unforgettably illustrated by building a Gothic church with 13 travelers.

Art Bites 144: Byzantine Art in Medieval Europe and Venice

Art Bites 144: Byzantine Art in Medieval Europe and Venice

While Rome fell in the West, it lived on through the Middle Ages in the East as the Byzantine Empire. Its capital, Constantinople, and Venice were filled with art treasures — much-coveted bronze horses, rich mosaics, and magnificent churches.

Art Bites 143: Romanesque Art

Art Bites 143: Romanesque Art

In the 11th and 12th centuries Romanesque churches were filled with beautiful art. And that art served the church. Statues and paintings didn’t need to be realistic so long as they illustrated Bible lessons: teaching, inspiring, and scaring the faithful.

Art Bites 142: Romanesque Architecture: Three Great Churches

Art Bites 142: Romanesque Architecture: Three Great Churches

European culture finally kicked into gear in about the year 1000 and mighty Romanesque churches with the finest art of the day were built across the continent. Great examples are in Florence, Pisa, and Durham (where the style was called Norman).

Art Bites 141: Feudalism, Christianity, and the Art of Monks

Art Bites 141: Feudalism, Christianity, and the Art of Monks

From the chaos and power vacuum that followed the fall of Rome rose feudalism and Europe’s monastic movement. For centuries monasteries were the center of culture and monks were the great artists beautifully illustrating the books they transcribed.

Art Bites 134: Gothic Stained Glass: Sainte-Chapelle, Chartres, and York’s Minster

Art Bites 134: Gothic Stained Glass: Sainte-Chapelle, Chartres, and York’s Minster

Visiting three great Gothic churches (Sainte-Chapelle in Paris, Chartres’ Cathedral, and the York Minster), we see how 800-year-old stained-glass windows were, perhaps, the artistic highlight of the Middle Ages.

Art Bites 133: Super-sized Art and Architecture of Ancient Rome

Art Bites 133: Super-sized Art and Architecture of Ancient Rome

In ancient Rome, more than the Colosseum was colossal. Grand statues decorated imposing buildings that stoked massive imperial egos. With bricks, concrete, round arches, cheap or free labor, and emperors who loved to build, Rome built very big.