Opinion 2020 was the year of empathy fatigue We were too ready to abandon our older selves. by Katie Wilson / December 22, 2020
Opinion Sheltering in place with King Lear, the perfect play for a pandemic Shakespeare understood the fragility of human institutions — something we can all suddenly relate to. by Katie Wilson / April 14, 2020
Opinion For decades, Paul Dorpat chronicled — and lived out — Seattle's weirdness The prolific local historian talks art, counterculture, and the importance of knowing the history of where you live. by Katie Wilson / January 22, 2020
Opinion Odd jobs in The Emerald City Looking back on my first year in Seattle, it's the work that comes back. by Katie Wilson / December 17, 2019
Culture At Intiman, a potent rendering of a hardscrabble world Intiman's new artistic director, Kate Whoriskey, restages the Pulitzer Prize-winning 'Ruined' by Ben Rankin / July 28, 2010
Culture A quarter-century later, standing ovations for 'Fences' Playwright August Wilson by Ben Rankin / April 6, 2010
Culture Quirky 'Receptionist' makes for a good excuse to head to Portland Sharonlee McLean in <i>The Receptionist</i> at Portland Center Stage. by Ben Rankin / February 25, 2010
Culture ACT's fascinating collage on race and identity At ACT: a fusion of movement and theater by Ben Rankin / July 10, 2009
Culture ACT's Noel Coward show: joyful and unrestrained Anna Lauris in ACT's <i>A Marvelous Party</i>. (Chris Bennion) by Ben Rankin / June 24, 2008
Culture A chamber Julius Caesar set in feudal Japan Seattle Shakespeare Company mounts a vigorous, mostly successful version of a good play for this political season. by Ben Rankin / January 18, 2008
