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The program for the festival, which runs Jan. 27-30, is an interesting mix, and there's special interest in the short concerts that precede three of the main events.

Fine players from Berlin bring out the sinister unquiet of works by Shostakovich and Beethoven.

The program is the Seattle debut of a group of players in the Berlin Philharmonic, which promises refinement and depth.

One puzzle: given all the unhappiness with Gordon Brown, why didn't the Tories score a clear victory?

The "St. Matthew Passion," a Bach masterpiece ritualized by Peter Sellars' production, can come to you "live" thanks to the Berlin Philharmonic's new Digital Concert Hall.